A Short History of Black Craft in Ten Objects



Author: Robell Awake

Published: 2025

Pages: 141


Excerpt: Black craft has always reflected the dynamic nature of Black culture. I see this in the story quilts of Harriet Powers, told on page 15, which documented biblical passages and natural phenomena that were spiritually significant to her community in nineteenth-century rural Georgia. As Powers stitched together her unique interpretations of collective memories, she blurred the boundaries of art, craft, and critical pedagogy, giving form to a rich oral tradition that has long been an antidote to Black subjugation and erasure. The central square in Powers's Pictorial Quilt, finished in 1898, depicts the Leonid meteor storm of 1833, an astrological event that was seen across the United States and interpreted by many enslaved communities as a sign from God that freedom was near. Remarkably, I learned about the phenomenon for the first time from Powers's quilt. Just as she had preserved the memory of the meteor shower— which happened before her birth—her quilts continue to teach new generations of Black people, including me.

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